hasse breitholtz Glenn Cole John Boiler Paul Shearer Stefan Olander Mark Thomashow Joseph DiMuro Victoria Sarro, MBA Frank Hahn Tim Wolfe Richard Corps Vera Epp-Winter William Harris Pete Tong #startmeupremix22 #classicsreimagined #classicsremixed #advertisingandmarketing #advertising #creativity #brandpartnerships #marketing #musicindustry Insightful Elvis Elvis Presley Enterprises record background Magnet Magazine piece in how a unprecedented official Elvis remix became a Global No.1 smash, subsequently driving the WW No.1 album - read how the remix all came together with Nike and its Ad agency, written by the respected music journalist and Google comms chief Corey duBrowa Great to see it all means something still, in part due to Martin and team’s sterling work at The Official Charts Company - long may the healthy competition continue and talent flourish 💫 Martin Talbot We/teams at former BMG, Nike, Wieden + Kennedy (now co founders 72andSunny and Global creative chief Wunderman Thompson ) had something to do with the Elvis record set. Elvis Presley Enterprises Wieden + Kennedy 72andSunny Sony Music Entertainment Nike #startmeupremix22 #classicsreimagined #classicsremixed #advertisingandmarketing #advertising #creativity #brandpartnerships #marketing #musicindustry #tv #filmĬongratulations Tim Clark Stephen O'Reilly
#William orbit official streamcast full#
Read how it all came together and an unprecedented official Elvis remix became a Global No.1 smash, subsequently driving the WW No.1 album - written by the respected music journalist and Google comms chief Corey duBrowaĮxtended full Nike Ad/film x Elvis remix 🔥:. Shared the vision along with Vera Epp-Winter Richard Corps Stuart Rubin Joseph DiMuro Victoria Sarro, MBA William Harris José María Cámara RIP 🤍 and of course all this wouldn’t have happened at all without the creative genius, patience and belief Glenn Cole Mark Thomashow Paul Shearer Stefan Olander Frank Hahn Tim Wolfe John Boiler Thankfully BMG’s UK & Ireland CEO hasse breitholtz called it right, got on board 💯 and Testament to “No doesn’t mean No necessarily” as PepsiCo Todd Kaplan wrote a great piece about recently, go seek it out, enlightening, might make a difference to something you’re working on, or/and come up against 👊🍀. I came down with a bout of ‘hard of listening’ 😬. To think I was told to ‘forget it, move on’ by an executive (will remain nameless out of respect to) when I initially pitched the remix idea and Nike campaign to our BMG N.Y. Beautiful 🫶Īmazing how culturally embedded this remix has become since being the soundtrack to Nike football (soccer to 🇺🇸 cousins) incredible campaign to celebrate FIFA ‘02 World Cup Remix segments used over some 20mins to its crescendo, episode 9.
#William orbit official streamcast series#
Series fantastically addictive watching, if you haven’t already checked it out 🥇. Sub-track duration from media player, index track duration from packaging, sub-tracks best-guess/arbitrarily attributed to the index track they don't add up quite right.Thrilled to hear, see yet another Elvis VS JXL usage on Ryan Reynolds and Rob McElhenney The Walt Disney Company FX Wrexham AFC This CDr has also been signed by William Orbit." The track listing is in the second picture above. This was never available to the general public. This is a three CDr promo-only compilation of the music described above, released by KCRW. Note: Never officially released, this music is only available on promo-only CDr (if you know the right people). The mix would then take off in a fiery ball of improvisations over various reggae and dub tracks, live recordings and even previously unreleased material. He usually opened each show with a low droning sound which evolved into either a song or collage of music and spoken words. For 30 minutes, he played what he wanted to hear, and it was all mixed, scratched and fused live in the studio. Because it was broadcast on radio, he didn't need to worry about copyright clearance for his audio samples, nor did he worry about creating songs that fit into a radio-friendly format, or even creating individual songs for that matter.
His half-hour broadcast aired every Friday at midnight and captivated listeners in L.A.
"William Orbit took over the airwaves of KCRW in Los Angeles at the beginning of 1996.
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